Tim Cook’s closing words from this morning’s Apple Event where they debuted the iPad Mini:
“I invite you you all to get your hands on them now.”
Microsoft, are you paying attention? They’re letting everyone use them.
Yes, even before they ship.
via FBU
This bit from one of my favorite stand-up acts by Eddie Izzard came to mind in light the the recent presidential debates here in the U.S.:
via Open Culture
Messing with people? My type of humor.
via FBU
One of the most beautiful cars of all time, the Ferrari Dino:
Just look at those curves. Good lord.
via Just A Car Guy
Speaking of great films I’ve discovered, I highly recommend Craigslist Joe.
It’s about a guy who lives completely off Craigslist for an entire month and has some really amazing and touching experiences with people along the way:
CRAIGSLIST JOE – Trailer from Drew Dorenfest on Vimeo.
Although it’s 2 years old, Linotype: The Film is new to me and looks awesome. It started as a Kickstarter project in 2010.
After seeing a few concerts recently at the Greek Theater I began to think again about something I’ve always wondered about—are opening bands prohibited from using ‘premium’ lighting effects on stage? Or is it quite simply that most times, opening acts don’t have the budget to afford fancy visuals?
Even the sound quality of the main performer/band is always richer, as if, like the lighting, they’re given access to the better sound equipment.
It’s clear why you wouldn’t want the opening band to upstage the featured one, but I’m just curious if these are unspoken rules musicians follow, if it’s in writing or if it’s simply just not having the money to do something better.
Growing up in the 80’s, the Lamborghini Countach was THE sports car but a close runner up was Tom Selleck’s Ferrari 308 on Magnum, P.I.
via Motoriginal
via Shane’s Blog
