Smuggling Across Borders

Sometimes I get pissed off how damn smart and talented Frank Chimero is:

There’s one particular stupid wall I’d like to focus on today: the one we built between print and digital formats. I’m skeptical, so I have some questions.

1) Why do we think they’re at war with one another?
2) Why does one need to kill the other?
3) What kinds of interesting things happen if we keep both on the table?

The main line of inquiry of my career has been about undermining that barrier between print and digital. Rather than having a division, I make things that trade across the boundary. I’m acting as a merchant, a translator, and at my worst, maybe even a smuggler.
Great piece on the creative process. I wrestled with similar issues the book I’m publishing with help from my Kickstarter backers.
I started Charms, Quivers & Parades as a poster series, and then I wondered why I was imposing these artificial boundaries on my work? Where else did my ideas want to live besides 12-inch by 18-inch pieces of paper? It turned out my project was equally comfortable in postercard format, PDF/ebook and hardcover book (at least for now, I think they’d make great temporary tattoos and rubber stamps too).
We live in a world where people love to polarize things into binary competitions.
It doesn’t have to be that way.

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