Mladen Stilinovic
There is no art without laziness.
There is no art without laziness.
via Colossal
Instead of regurgitating rants about the yoof’s over-reliance on technology and its zombiesh enslavement by screens, Bob sees the larger issues of exam-based curricula and financial difficulties as the things thwarting creativity. “The way the education system works is a bit like having high land prices in London – they stop you working creatively,” he says. “If all you’re thinking about is working towards exams and jumping over hurdles, it pushes away creativity; and high land values are pushing creativity out of the capital.”
—Art as a human right and why creativity is “pushed out of” London
I still contend the animated GIF is one of the most important mediums of expression in the 21st century.
Animated superhero logos by Christian Tailor
via Quipsologies
Read enough old comics and this type of stuff shows up more regularly than one would expect.
via my Instagram
I’ve been working on a new book since last July. Back in October I wrote, “I’ve been told that becoming a parent lights a fire under your ass like nothing else, so we’ll see what happens.” Ha.
I made a promise to Owen before he was born that I would not use him as an excuse to fail at The Thing I needed to do.
Oh sure, I would use him as an excuse for plenty of other things I didn’t want to do, like answer emails or attend various social functions, but I would not use him as an excuse to give up on The Thing.
Writers are constantly looking for excuses not to write, but there’s nothing more pathetic than a man who blames his family for not being able to write.
—Austin Kleon, On writing post-fatherhood
I’ve also made a promise to myself that if and when I have a child I won’t use him/her for an excuse not to design, or screen print or make whatever is I’m making. It’s a cop out.
If you really want something, you find a way to get it.
At least I do.
Art schools are at the forefront of the sustained attack on humanities that Marina Warner has written so brilliantly about. One of the slogans of those occupying Central Saint Martins is simply this: “We’re an art school not a business.” Languages, humanities, social sciences and particularly arts are subject to huge losses in funding and are expected to do just this: become businesses. This is the only model that our politicians understand. Hence we keep being told that the creative industries do employ lots of people. Every film made here requires carpenters and electricians and so on. The argument that art or culture is valuable only when it is monetised is a dangerous one. A false dichotomy between science and art has been set up – first by Labour with the Browne review, and now amplified by the Tories. So Stem subjects (science, technology, engineering, and mathematics) are seen to be financially viable. Which of our ministers has a degree in maths or science I wonder?
—Suzanne Moore, The Guardian
Adam Westbrook explores our distorted view of success and our obsession with youth in his two part video series.
The Long Game Part 1: Why Leonardo DaVinci was no genius (4:25 minutes)
The Long Game Part 2: the missing chapter (5:48 minutes)
via Open Culture
via Colossal
The work of Nick Smith.
via Fubiz
via 1988