Read enough old comics and this type of stuff shows up more regularly than one would expect.
via my Instagram
I’ve been working on a new book since last July. Back in October I wrote, “I’ve been told that becoming a parent lights a fire under your ass like nothing else, so we’ll see what happens.” Ha.
I made a promise to Owen before he was born that I would not use him as an excuse to fail at The Thing I needed to do.
Oh sure, I would use him as an excuse for plenty of other things I didn’t want to do, like answer emails or attend various social functions, but I would not use him as an excuse to give up on The Thing.
Writers are constantly looking for excuses not to write, but there’s nothing more pathetic than a man who blames his family for not being able to write.
—Austin Kleon, On writing post-fatherhood
I’ve also made a promise to myself that if and when I have a child I won’t use him/her for an excuse not to design, or screen print or make whatever is I’m making. It’s a cop out.
If you really want something, you find a way to get it.
At least I do.
Art schools are at the forefront of the sustained attack on humanities that Marina Warner has written so brilliantly about. One of the slogans of those occupying Central Saint Martins is simply this: “We’re an art school not a business.” Languages, humanities, social sciences and particularly arts are subject to huge losses in funding and are expected to do just this: become businesses. This is the only model that our politicians understand. Hence we keep being told that the creative industries do employ lots of people. Every film made here requires carpenters and electricians and so on. The argument that art or culture is valuable only when it is monetised is a dangerous one. A false dichotomy between science and art has been set up – first by Labour with the Browne review, and now amplified by the Tories. So Stem subjects (science, technology, engineering, and mathematics) are seen to be financially viable. Which of our ministers has a degree in maths or science I wonder?
—Suzanne Moore, The Guardian
Adam Westbrook explores our distorted view of success and our obsession with youth in his two part video series.
The Long Game Part 1: Why Leonardo DaVinci was no genius (4:25 minutes)
The Long Game Part 2: the missing chapter (5:48 minutes)
via Open Culture
This past Sunday’s New York Times Magazine had a an incredible profile on artist Theo Jansen.
Jansen creates kinetic sculptures—he calls them beests—that literally walk themselves across the coast:
The calibrations and recalibrations took years, across generation after generation of new beest types and fresh experiments at the shore. ”People talk about how beautiful my strandbeests are as they parade down the beach,” he said. ”But you have to understand: I was never interested in beauty as such. I was interested in survival, so everything was based on a consideration of function, how to make the things function better. The fascinating thing, though, was that — here again, as with nature — the better the functioning, often, the more beautiful the result.
You have to see his beests in action to understand how awesome they are:
Yeah, daddio! From World’s Finest #224.