I’ve been using Apple Music since it launched yesterday. It’s interesting. I’m not sure if I’ll be signing up after the 3-month trial is over, but so far I like the recommendations it gives me.
The playlists under “For You” are good, but I’ve been playing around with the ability to create a “station” based on a track I’m listening too. I want recommendations based on my music library. So far, the stations Apple has been creating are good. I noticed it will play me a combination of songs already in my library and songs from iTunes.
The user interface on my iPhone is on the complex side. I can figure it out without too much trouble, but I’m not sure non-nerds will be able to. Part of this is due to the density of functionality Apple has packed into the Music app. There’s a lot going on.
I used to be able to double-tap on the album artwork to display the album track list, but that doesn’t work anymore. I have to hit the 3 dots in the bottom right of my iPhone and then tap on the track/album/artist at the top of the modal menu. Weird. Confusing.
When I go to My Music and switch to ‘Songs’ I no longer have a ‘Shuffle’ button at the top of the list. I miss that button. I’ll probably get over it.
I also no longer have the ability to reorganize the bottom menu. Right now ‘My Music’ is the last button. Apple is assuming I’m always going to want their streaming service to be my first priority. I’d like ‘My Music’ to be the first menu item. Please.
iTunes is a whole other story. It continues the long tradition of being a labyrinthine, confusing desktop application. As with the iOS Music app, I can figure it out, I just wonder how many regular people can. Since iOS is where all the money and consumer eyes are these days, it’s not the end of the world.
Now back to my music.
With Steve Jobs gone, Apple no longer makes lickable buttons. Sorry.
Apple nav bars compiled by James Dempsey
Robert Zemeckis is not down with anyone remaking Back to the Future:
“I mean, to me, that’s outrageous. Especially since it’s a good movie. It’s like saying ‘Let’s remake Citizen Kane. Who are we going to get to play Kane?’ What folly, what insanity is that? Why would anyone do that?”
Hahaha. Take it easy, Zemecky.
I liked Back to the Future like anyone else, but it ain’t no Citizen Kane.
Talk about delusions of grandeur.
This week Michael and Bryan discuss the summer, hearing loss, brown noise, ten years of podcasting in iTunes, Cavs-vs-Warriors, stadiums & cities, OS X El Capitan, edits on DailyExhaust.com, martinis & breasts, the Confederate Flag, and the power of symbols.
Moore’s Law keeps going. Some experts say it will eventually be impossible to keep doubling every 18 months. Even if that happens, one thing we know is that this wouldn’t matter as much as it might have before. With the ubiquity of smartphones, powerful computing technology is now in the hands of the masses. The “computer for the rest of us” that the advertisements for the Macintosh had promised since 1984 has arrived. And that’s why Moore’s Law is no longer enough to make customers happy.
—John Maeda, Why Design Matters More than Moore
No shit, the original Moleskin launched in 1997?
The Moleskine notebook emerged at a moment when it looked increasingly like the long-promised “paperless office” would become a reality, with technologies like word-processing software, the Internet, laptops, handheld devices, and other innovations rendering printed matter obsolete. The original Moleskine journal was launched in Milan, in 1997, the same year the first Palm digital planner was introduced; its designer, Maria Sebregondi, told me that she was aiming to create the ultimate travel journal for an emerging class of “global nomads.” But, within a few years, the notebook had been adopted by a totally different class of user: M.I.T. students and academics, tech-company founders, and other high-achieving entrepreneurs, all of whom prized it for its simplicity and efficiency.
I thought the Moleskin was much older than that.
John Biggs sees the tipping point for self-publishing coming soon:
I’ve gone all in with the Indie publishing movement – I’ve released three books myself and I’ve done relatively well with all of them. But the fact still remains that the entire business of books is stacked against the Indie author. While the tools are far simpler than they have ever been, the perception that an Indie book is an inferior product, at least in the eyes of established media, is strong. But that’s about to change.
Progress has been made, but there’s still more work to be done.
Gorgeous photos by Saul Leitner
via YIMMY YAYO