I’m an avid listener of 5by5 Radio. Particularly: Build & Analyze, Hypercritical, Amplified, The Critical Path and Back to Work.
I often hear 5by5’s creator, Dan Benjamin, promoting the web hosting service Squarespace. I’ve known about Squarespace for a few years and have heard good things about them, but knowing Dan puts his money where his mouth is with many of his advertisers, I decided to give SquareSpace a shot with my new portfolio site, Famous But Unknown.
Short answer: SquareSpace is pretty great.
Their admin area is easy to use, with great features like being able to drag images into your browser window to create a gallery page. No clicking on BROWSE and traversing the directories on your computer. Right now it’s a bit too ‘sand-boxed’ for my nerdy, backend-craving taste, but they plan on opening their developer platform soon, according to their Developer FAQ page.
For the last 13 years of being a professional web designer (and sometimes developer), I’ve grown comfortable using FTP programs like Transmit, and having direct access to MySQL databases when setting up WordPress sites for clients, or setting up this site with Movable Type (I had to teach myself how to set up cron jobs so scheduled posted would publish). Not having this granular control on Squarespace is a bit frustrating, but that frustration soon evaporates as I effortlessly curate my portfolio pages and make updates to my (other) blog.
As Dan has mentioned in his on-air plugs, what used to take hours and hours of work to do to maintain a website, SquareSpace makes easy as pie. Not only is it easy to use, it’s also extremely hard to ‘break’ (as clients are known to do with their sites).
Now the downside of Squarespace—the scaling. After a few weeks managing my new portfolio site, I thought about bringing over some of my other domains, including this site. I assumed I would have to upgrade my Standard Account to a Pro Account, but for $16/month, it was definitely worth it. What I discovered is even though you can register and redirect multiple, unique domain names to your Squarespace account, they all resolve to just one of those domains. So for instance, if I have mysite1.com, mysite2.com and mysite3.com all registered with Squarespace, if I visit either mysite2.com or mysite3.com, they’ll both redirect me to mysite1.com. Ugh. I wouldn’t be able to host multiple unique sites, with unique templates and unique content.
In order to set up multiple, unique sites I would have to set up separate accounts with different email addresses but with the same credit card. This was a non-starter for me.
I’m pretty familiar with the admin area of Squarespace and can easily envision them scaling up to accommodate my wish, but as anyone who has done web design and development knows, what you envision and what it takes to make that vision a reality are two very different things. And who knows, maybe the scaling I want isn’t in their product roadmap.
I can appreciate Squarespace taking baby steps in growing their platform, so while my goals are bigger than what they can satisfy, I’m going to do the best I can with my lone site.

From the HuffPo:

The California state legislature just moved that dream a little closer to reality by approving a bill paving the way for driverless cars to be allowed on Golden State freeways.

The bill, authored by State Senator Alex Padilla (D-Van Nuys), was passed by the state Assembly on Wednesday and then given the overwhelming thumbs up by the state Senate the following day.

If signed by Governor Jerry Brown, Padilla’s bill would legally allow autonomous vehicles on the road and charge the state’s Department of Motor Vehicles with determining the standards for self-driving cars, rules which current do not exist under the present vehicle code.

The future is now, it’s cool, but it’s scary too.
via Tyler Cowen

I can see these popping up all over San Francisco:

via Shane’s Blog

Until recently, there was a tendency to add as much glossy sheen to logos and graphics as possible, particularly in the technology sector. Perhaps designers and clients hoped that these tech-y stylings would help bring viewers into the world of the screen, as if through a modern-day equivalent of trompe l’oeil. Examples of this gimmickry are everywhere, from UPS’s ill-advised 2003 logo update to countless smartphone app icons.

To designers and clients perpetuating this style, I would say: the horizon highlight is no longer mandatory! We are not looking into the future with our icons. The future is here.

—Steven Heller

Remixing with new voices is creative practice…

—Shepard Fairey

Very smart and interesting developments happening right now at Amazon’s Kindle Event in LA.

They’re clearly putting a lot of thought behind what reading and video-watching experiences should be (and taking advantage of their properties like IMDB in interesting ways).

But the realization I’m left with is that Amazon (still) sees the tablet primarily as a consumption device. Yes, they include Exchange email support and calendar integration, but those are secondary. Perhaps this consumption focus is due to the fact that not only do they want to sell their own content, but also because they’ve forked the Android operating system and thus can’t guarantee Android applications (ones for productivity, not consumption) will work on it.

It will be interesting to see how well these new Kindles do in the market.

Really?
I’d love to call this guy and tell him my name was Peter Venkman and I was interested in buying all his equipment.

Hey iTunes, this isn’t Black Star:

(I already checked with Mos Def and Talib Kweli)
And this isn’t Al Green’s Greatest Hits:

I’m not sure who’s responsible for this—Apple or whatever database they’re pulling album information from.
I found the best response to this problem on an Apple Support Community forum:

When my iPhone 4 displays the wrong album art the inner psycho in me comes out.

I know you can manually override the incorrect artwork, but I want it to be correct in the first place.
Update: At least for the Black Star album, it looks as though the CD I ripped it from might be the source of the problem. The full (correct) album title in question is, Mos Def & Talib Kweli Are Black Star, while iTunes shows the title as only Black Star.