Down with DVRs

For the first time, more people subscribe to Netflix than have DVR:

Netflix reached another milestone that will worry traditional cable companies even further. According to a study by Leichtman Research Group, Inc., more people in the US report subscribing to Netflix than having a DVR in their households. Netflix narrowly eclipses the service offered by most cable providers, with 54 percent of US adults reporting they have Netflix in their households compared to the 53 percent of US adults that have DVR. This is the first time this shift has happened—Leichtman notes that back in 2011, 44 percent of US adults had a DVR while just 28 percent had Netflix.

Not surprising. The only people I know who record stuff on a DVR are my mother-in-law (she records The Ellen Show), and my father (he records Judge Judy and Judge Milian).

Everything I watch is on either iTunes, Netflix, or YouTube, and I get my news online or from Twitter. I rarely watch TV news.

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You can please some people some of the time…

Writing for Quartz, Anne Quito on Scott Dadich’s new Netflix docu-series on design, Abstract:

Design is the animating force behind brands, buildings and interfaces, and so an engrossing series that explains to a general audience what actually goes on behind the scenes was long overdue. Many designers hoped that Netflix’s Abstract: The Art of Design (released Feb. 10) would do for design what Chef’s Table did for food: Through a series of beautifully shot (if at times overly dramatized) profiles, Chef’s Table gave viewers a global sampler of the most creative minds working in the culinary industry.

But after a fortnight of trudging through the first season’s eight 40-minute episodes, I found Abstract puzzling and on the whole, tedious. It’s unfortunate because Abstract’s stellar cast of superstar designers—including graphic design legend Paula Scher, Nike shoe designer Tinker Hatfield, and architecture’s “wacky wunderkind” Bjarke Ingels—are some of the most winsome and articulate ambassadors for their specialization.

Needless to say, Quito is not a fan of a series. She’s critical of everything from it’s production value (it’s over-produced) to the designers they chose to feature (“the usual roster of design stars”).

I think Quito is way off-base. I’ve enjoyed all 6 episodes I’ve watched so far. I find the series beautifully shot and I can’t remember seeing such attention to detail in a docu-series before. If Dadich had chosen a more “raw” style of shooting, people would be complaining it was under-produced.

As for the people featured in Abstract, I’m familiar with many of the design stars within my field of graphic design, but I don’t know many in other industries. The second episode with Tinker Hatfield is a great example. I had no idea he was the guy who brought us the Air Jordan line and collaborated with Michael Jordan for over 20 years.

Then there’s the “hero worship” Quito thinks is dangerous. The reality is, when you’re dealing with people with extreme talent, ego, and vision they’re elevated by the people to a lofty place where we can admire them whether they like it or not. These aren’t production designers working in Photoshop or 40-year-old architecture interns building cardboard models. These are people at the top of their game, and when you get to that level, clients see you out, not the other way around. This puts designers in a similar circle as artists.

There’s clearly room for a series focusing on the undiscovered and under-appreciated people in design. Perhaps a designers’ version of A People’s History of the United States, but that’s another series for someone else to make.

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Art, Film

No, designers don’t *have* to code.

Over at Wired, Liz Stintson responds to John Maeda’s new Design in Tech Report:

But design’s role in this world is constantly shifting. In his 2017 report Maeda makes the case that the most successful designers will be those who can work with intangible materials—code, words, and voice. These are the designers who craft experiences for the chatbots and voice interfaces people are increasingly interacting with. Maeda cites a blog post from last spring, in which UX designer Susan Stuart makes the case that writing and UX design aren’t so different. “Here’s where I’d like to draw the parallel with writing — because a core skill of the interaction designer is imagining users (characters), motivations, actions, reactions, obstacles, successes, and a complete set of ‘what if’ scenarios,” she said. “These are the skills of a writer.”

This year, Maeda goes deep on this idea of skills, focusing his own on the growing field of computational design (a field he’s pioneered since the mid-1990s). In the report Maeda makes the distinction between “classic” designer, the makers of finite objects for a select group of people (think graphic designer, industrial designer, furniture designer) and “computational” designers, who deal mostly in code and build constantly evolving products that impact millions of people’s lives.

This piece has a deliberately threatening and clickbait-y headline: ‘John Maeda: If You Want to Survive in Design, You Better Learn to Code.’

Maeda’s report doesn’t say designers have to learn to code in order to survive. What he focuses on is the importance of ‘computational design’ in the worlds of technology and business and about how we need to evolve the way we solve problems.

The never-ending question “should designers know how to code” is vague and moot because if you’re someone who makes money as a digital designer (website, mobile app, user interface), you already know something about code.

There’s a wide spectrum of ‘understanding code’ and a digital designer can lay at any point along that spectrum. You could be fluent in PHP and know how to hand code custom WordPress themes, or you might only have a basic understanding of HTML and CSS. Both scenarios can lead to you being a valuable designer.

The most important thing designers need to know is what technologies exist and are emerging, how those technologies work, so that they can apply that knowledge to their problem-solving.

“a garbage bill that can’t pay for itself”

Friend and DE contributor Bryan Larrick on his experience with Obamacare:

Obamacare has faced regular attacks from the Republican Party, since before it was even passed. It was victim to such rhetorical fantasies as death panels and the like. The act fit in nicely with all of the other fevered conspiracy theories surrounding the Obama administration, and like all those others, none of the dastardly things said about Obamacare were true. And these false narratives about the act still hold sway among members of Congress as they pander to the extreme members of the party’s base. When he announced the AHCA, House Speaker Paul Ryan, one of the most craven men ever to serve in Congress, said, “This unified Republican government will deliver relief and peace of mind to the millions of Americans suffering under Obamacare.”

Did I write that Paul Ryan was craven? Because it actually takes some stones to stand in front of a bank of microphones and say something so utterly, completely untrue. Suffering? Suffering?! Tens of millions of Americans who did not have health insurance before Obamacare now have it. These are people who no longer have to worry about financial destruction should they get seriously ill. Also, because they have insurance, these millions are now more likely to seek out preventive care, which leads to a healthier and longer life, and lowers the overall cost of healthcare in the long run. I am one of those people.

Bryan admits the ACA is not perfect, but what Republicans are proposing with the American Health Care Act (AHCA) is straight up hostile to the people of the United States.

The term ‘Obamacare’ was a nickname Republicans came up with to place blame on Obama for creating what they saw as a horrible healthcare system. The negative connotations — and ignorance — towards ‘Obamacare’ are so strong in certain parts of the US that people will say they agree with the goals of The Affordable Care Act but don’t like Obamacare. Jimmy Kimmel was nice enough to do a multi-part series to show this in action.

I find it ironic that in hindsight, ‘Obamacare’ could end up having positive connotations in light of the shit sandwich Paul Ryan has presented with the AHCA and what many of his fellow Republicans are rejecting.

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Health, Politics, Tromp

No, you shouldn’t always listen to your elders.

Noam N. Levey on the losers in Trump’s victory:

Americans who swept President Trump to victory — lower-income, older voters in conservative, rural parts of the country — stand to lose the most in federal healthcare aid under a Republican plan to repeal and replace the Affordable Care Act, according to a Times analysis of county voting and tax credit data.

Among those hit the hardest under the current House bill are 60-year-olds with annual incomes of $30,000, particularly in rural areas where healthcare costs are higher and Obamacare subsidies are greater.

In nearly 1,500 counties nationwide, such a person stands to lose more than $6,000 a year in federal insurance subsidies. Ninety percent of those counties backed Trump, the analysis shows.

And 68 of the 70 counties where these consumers would suffer the largest losses supported Trump in November.

We’re seeing a scary scenario unfolding.

Oh, and the irony:

Meanwhile, higher-income, younger Americans — many of whom live in urban areas won by Democrat Hillary Clinton — stand to get more assistance in the Republican legislation.

Is this what Trump voters think “Make America Great Again” looks like?

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Health, Politics, Tromp

Pass the Heinz

50 Years Later, Heinz Approves Don Draper’s ‘Pass the Heinz’ Ads and Is Actually Running Them:

In a meta union of advertising’s real and fictional worlds, Heinz just greenlighted the ads—and will run them almost exactly as Draper intended, beginning today, in print and out-of-home executions in New York City.

So great. Mad Men is one of my favorite shows of all time (Breaking Bad is still in the #1 spot).

The ads really are clever too. This is why Mad Men was such a great show: it was well-written and Matthew Weiner’s attention to the details of the ’50s and ’60s was fanatical.

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Advertising

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Google’s Slackalike

Google Hangouts is getting a major overhaul to take on Slack:

If you know anything about Google’s messaging strategy in the last few years, you know that it’s been a bit of a mess. Allo, the consumer app, launched without the cross-platform features users expect. Text messaging on mobile is mired in inter-carrier warfare. And Hangouts has become a punchline.

On two of those fronts, Google has been making progress. And today, in a bit of a surprise, Google has signaled that it finally decided Hangouts is supposed to be: a business communication tool to complement its consumer apps. We’re now getting a glimpse of what that means — and if the early demo I saw is any indication, it might be time to stop making fun of Hangouts.

That’s because Hangouts is turning into a group chat system that looks a hell of a lot like Slack. Like Microsoft, Google is launching a Slackalike — and like Microsoft, it’s betting that deep integration with the rest of its office suite is going to be catnip for IT managers and cost-conscious CFOs.

I’ve used Slack at different companies and projects over the last three years and I’ve never understood what all the hype was about. To me it was just the newest kid on the messaging block. Then about two weeks ago I started a new job and the company I work for uses Hipchat. I immediately became aware of how inferior Hipchat is to Slack. There is zero delight, personality, and thoughtfulness to it. Sometimes you don’t miss something until it’s gone.

For all the great thinking that went into the design and usability of Slack, I’ve always found it to be where people waste a lot of time sharing links, videos, animated GIFs, and chatting about things unrelated to their work.

If I ran a company, I’d be willing to try offsetting time wasted on Slack by eliminating email.

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Interface, Product